Ancillary Equipment

AKG K702 Headphones: The K702 is the new reference for open-back dynamic headphones. This model combines an extremely accurate response with yet unseen agility and spaciousness. This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion™ two-layer diaphragm. A totally open design and a high performance cable complete these reference headphones.

Lab.gruppen PLM 14000 Amplifier: PLM 14000, a two-input, two-output platform, pumps a massive 7,000W per channel into 2 ohms and 4,350W per channel into 4 ohms, ideal for demanding subwoofer and low-end applications. Integrated Dante™ networked audio distribution, Lake® drive processing, and load verification with real-time performance monitoring into 2RU plus unified software controller.

Manley Labs Backbone: The Manley Backbone is a mastering engineer's dream, the centerpiece of a mastering system used to switch and control up to eight outboard processors. Innovative and flexible, features include Mid-Side processing, swappable inserts, and a parallel chain that can be mixed into the final signal.

Neutrik convertCON XLR Connector: The convertCON (NC3FM-C) is a new 3-pin gold contact male and female cable connector in a single housing. By simply sliding the housing back and forth, convertCON is transformed from a male to female connector. This new male/female cable end XLR allows for use of one connector, as it can mate with either a male or female 3-pin XLR.

Novation Nocturn Controller: The Nocturn is an intelligent plug-in and mixer controller featuring 8 touch-sensitive rotary encoders, each with a bright 11-LED ring, in addition to 8 switches, a unique “speed-dial,” and a touch sensitive fader – all freely assignable. Equipped with Automap 3 software, the Nocturn provides automatic, intelligent control of plug-ins within every major DAW.

Sennheiser HD800 Headphones: The HD800 utilizes an innovative 56mm transducer, delivering an incredibly natural sound image with brilliant highs and precise bass. Sound is channeled into the ear at a 45-degree angle, replicating the sound of a live performance. The HD800 is handcrafted with the finest materials, and redefines reference class headphones.

DIGITAL CONVERTER TECHNOLOGY

Apogee Electronics Symphony 64 PCIe: With the flexibility of up to 64 channels of input and output, Symphony 64 doubles the amount of I/O previously available on one Symphony card. The pairing of Symphony's superior driver performance and the brute strength of Apple’s Mac Pro sets the stage for advanced technologies like Symphony's SBus and VBus.

Focusrite Saffire Pro 40: The Saffire PRO 40 represents the new generation of Focusrite multi-channel Firewire audio interfaces. Featuring 8 Focusrite mic pres, front panel input metering, 10 analog outputs, ADAT I/O, SPDIF I/O, MIDI I/O, and stereo loop-back input, the Saffire Pro 40 provides matrix routing of 20 inputs, 20 outputs and 20 DAW feeds with its powerful MixControl software.

Millennia Media AD-R96/AD-D96: Millennia’s AD-D96 and AD-R96 are audiophile-quality proprietary A/D converters for the HV-3D/HV-3R eight-channel microphone preamplifiers. These converters offer a noticeable improvement in clarity over outboard solutions because stages of potential distortion are eliminated with their integration into the HV-3 preamps. All existing HV-3D/HV-3R units can have the converter option installed. 

MOTU UltraLite Mk3: The UltraLite-mk3 10 x 14 Firewire interface turns a laptop or desktop into a mobile studio with DSP-driven mixing, EQ, compression and reverb. You get 2 mic/instrument inputs, 6 TRS analog ins, 10 TRS analog outs and 192 kHz recording in a portable half-rack I/O. Features include front-panel programming, SMPTE timecode sync, spectrogram and oscilloscope.

SSL MadiXtreme : The MADI Extreme PCIe audio cards deliver all the functionality of MADI to a Mac or PC through SSL’s PCIe-Core Audio Pipeline technology. The card offers one optical MADI connector for 64 simultaneous I/O connections to MADI equipped consoles, live recording equipment, installations and broadcast servers.

TC Electronic Desktop Konnekt 6: Desktop Konnekt 6 is a portable FireWire I/O with a desktop design that lets you focus on performance rather than technology. The IMPACT™ mic preamp delivers outstanding microphone sound quality. High-resolution metering allows precise gain setting and mastering. Bundled with Cubase LE4 and includes TC Electronic M40 Studio Reverb.

MICrophone PREAMPLIFIER TECHNOLOGY

AEA RPQ Mic Pre with Curveshaper: This two-channel, ultra-quiet, high-gain preamp features both ribbon-optimized DC-coupled inputs and 48V phantom-powered AC-coupled inputs. Adjustable Curve Shapertm tames proximity problems while retaining bass, and adds sparkle to the smooth high end. The AEA RPQ continues the tradition of groundbreaking designs from the leader in ribbon microphone technology.

Empirical Labs Model EL 9 Mike-E: A digitally controlled microphone preamplifier with many unusual features to soften and warm the source, Mike-E offers an incredible performance transformer-coupled mic preamp whose noise floor that exceeds any microphone’s noise floor by many decibels. The Comp/Sat section is a compressor and soft-clipping circuit, offering stepped and recallable ratio, attack and decay.

Focusrite ISA One: The ISA One microphone preamplifier features the classic preamp topology from Focusrite’s original ISA110 module in a rugged, portable chassis. The fully featured mic pre also includes an independent DI channel, direct out for re-amping, variable impedance options including classic ISA110 setting, external mix input for no-latency recording, and detailed analog & digital metering.

Grace Design m101: The m101 is a single-channel, high-fidelity mic preamplifier from Grace Design. Standard features include our legendary transparent, musical signal path; a 12-position, gold plated, rotary gain switch; a built-in universal AC input module; our exclusive RIBBON mic mode; and our 5-year transferable warranty. 

Summit Audio ECS 410 Everest: Summit Audio's ECS-410 Everest is a distinctly different, four-section analog processor and microphone preamp, ideal for tracking and processing your most important signals. Each independent section has separate balanced I/O with the ability to route each section together internally with TouchPatch, a unique and amazingly intuitive routing section.

Universal Audio 710 Twin-Finity: The 710 Twin-Finity™ is a radically new Universal Audio preamp design that combines both the classic retro warmth of tubes and the transient bite of solid-state, with a variable “blend” knob to tailor the sound as desired. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

RECORDING DEVICES

Alesis ProTrack: The ProTrack handheld digital stereo recorder for iPod features two condenser microphones in XY stereo configuration, plus a pair of combination XLR/1/4-inch inputs. ProTrack supplies 48V phantom power when using the included AC adapter. The unit integrates a Universal Dock for iPod or iPod Nano and features LED signal indicators and controls for phantom power, limiter and volume.

Korg MR-2000S: With an astounding 5.6MHz sample rate, the MR2000S goes beyond the DSD standard to provide the finest digital recording available for mastering and archiving. Multiple MR2000S units can be synced together–excellent for capturing live shows unmixed on individual tracks, or grabbing source material in 5.1 or 7.1 audio surround.

Nagra VI: Based on a new design concept, the hardware of the NAGRA VI can be easily adapted through software. The six-channel recorder records to internal 120GB hard disk and extractable compact Flash card using Broadcast WAV, and is iXML-compatible for metadata. Features include USB 2 ports and support for standard SMPTE/EBU timecode frame rates and 23.976fps rate for HD pull-up/down.

Sound Devices 788T: The 788T is an eight-input, twelve-track portable digital audio recorder designed for production sound. Its eight full-featured inputs accept microphone, line-level or digital signals, including AES42 sources. The unit records to its internal 160GB hard drive (256GB SSD in the 788T-SSD), CompactFlash or external hard drives. 

Tascam DR-100: TASCAM's rugged DR-100 offers high-end recording in a portable recorder. It features four built-in microphones (two cardioid and two omnidirectional), with analog limiting and filtering. A pair of XLR microphone inputs with phantom power welcome pro-grade condensers. The DR-100 includes a rechargeable Lithium-ion battery, but can be powered by AA batteries or an optional AC adapter.

Yamaha Pocketrak 2G: This recorder offers 2 GB of memory and advanced audio technology. Choose linear PCM mode for recording up to 3 hours, or MP3 modes that provide longer recording times. The rechargeable battery can keep the recorder running for up to 9 hours in MP3 mode. Use the USB connector to connect to your computer, and edit with the bundled CUBASE AI software.

MICROPHONE TECHNOLOGY/SOUND REINFORCEMENT

CAD Audio Astatic 930VPL: This continuously-variable-pattern condenser boundary microphone offers a programmable membrane switch, LED and logic I/O functions. The logic input can remotely control the LED as well as the membrane-switch activation. An 80Hz, 12dB/octave highpass filter removes unwanted low-frequency energy, and a dual-output-connector design allows the cable to exit the rear or the underside of the microphone.

DPA Microphones Model 4099: These condenser microphones feature supercardioid polar patterns for superior gain-before-feedback. Capable of handling any acoustic instrument’s dynamic range, they’re as accurate as DPA’s other world-class microphones. The mounting system will never mar the instrument’s finish and can be easily repositioned with only one hand. The 4099 is a musician’s mic without equal.

Earthworks Flexwand: The FlexWand™ is a High Definition Microphone™, low-profile boom and stand together in a single, integrated unit, with no visible wires or cables above floor level. It is nearly invisible from the audience and is ideal for choir, podium, live sound and recording applications.

Røde M1: The RØDE M1 live dynamic microphone screams premium quality. Its rugged design and construction, including a heat treated steel mesh head, provides unparalleled robustness and durability. With ultra-low handling noise, neodymium capsule, fantastic off-axis rejection and a lifetime warranty, the M1 is perfectly suited to all live applications.

Sennheiser e 965: Sennheiser’s e 965 is a large-diaphragm, true condenser handheld microphone. The innovative 1-inch dual-diaphragm capsule has selectable cardioid and supercardioid polar patterns, a selectable pad, and a lowcut filter. The e 965 synergistically melds the sensitivity of a studio condenser with the ruggedness expected of a Sennheiser stage microphone.

Telefunken M80: For stage and studio use, the M80 dynamic cardioid mic offers exceptional performance in a rugged package with superior feedback rejection, detailed/balanced frequency response, and a smooth present sound with reduced proximity effect. Excellent for vocals, electric guitars, drums, etc., the M80 sets a new standard for live performance microphones.

MICROPHONE TECHNOLOGY/STUDIO

AKG C214: The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It combines one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology, which results in an outstanding performance and impressive quality close to the famous C 414 B-XLS.

Brauner Valvet X: The Brauner Valvet X represents a new premium tube microphone tailored for perfect recording of vocals and other intimate sources that are meant to cut through the mix in a very pleasant way. Its uncompromising craftsmanship and excellent technical specs make it another world-class product of the industry-leading German microphone manufacturer Brauner Microphones.

Holophone Portamic 5.1: This compact, low profile mic captures both discrete and instantaneous 5.1 channel audio, and features an onboard Dolby PLIII encoder, unity gain control, stereo output (mini plug and balanced mini XLR) and 12dB pad. Audio can be decoded back to 5.1 channels in post using Holophone D-Code or any Dolby PLII decoder.

Neumann TLM 67: Neumann’s award-winning TLM 67 is a contemporary development of the legendary U 67. The TLM 67 features the K 67 capsule, new circuit design (which closely reproduces the U 67 sound characteristics), three-pattern switch, pre-attenuation and highpass filter. Exceptionally versatile, uniquely designed and poised to become a legend.

Schoeps MK-22: Developed for use as a spot microphone, the MK-22 unites the cardioid directionality of the MK 4 with the sonic character of the MK 21 in an “open cardioid” pattern, which occupies a point on the spectrum between wide and classic cardioid. The response is -5 dB at 90°, with a 16dB suppression of rear-incident sound.

Telefunken U48: Originally designed in 1958, the Telefunken U-48 is a faithful recreation of the microphone that recorded the majority of The Beatles’ vocals at Abbey Road Studios. Featuring a Telefunken VF-14k tube and faithful recreation of the original M-7 capsule, the U-48 sounds like no other microphone in its class.

WIRELESS TECHNOLOGY

AKG DMS 700: This wireless system offers premium audio quality, ultra-wide tuning range and signal encryption. Two frequency versions, each with up to 155MHz frequency range, give the user flexibility even in a crowded RF environment. The digital audio transmission eliminates distortions and significant noise levels at high audio frequencies, and protects from bad audio performance due to low RF link quality.

Lectrosonics HM Plug-in Transmitter: The HM Digital Hybrid Wireless® transmitter combines compandor-free audio, 100 mW RF isolated output, a rich feature set and a sleek, all-aluminum housing. The HM is also compatible with older Lectrosonics receivers and systems from two other manufacturers. The HM is a versatile transmitter as part of the TM400 system.

Line 6 X2 XDR955: The X2™ XDR955 Digital Handheld Wireless Microphone System gives vocalists the clearest sound, cleanest signal and total dependability. Loud and clear, it features 24-bit digital conversion for a commanding tone. Its extended frequency response of 10 Hz to 20 kHz and dynamic range of over 115 dB provide the full sound of a high-quality audio cable at 300 feet.

Mipro ACT 727: Superb RF reliability, outstanding sound quality and intuitive operation exemplify the ACT-727 Wireless Microphone System. Features include a bright, color VFD display and true diversity technology. Enhanced RF filter and circuitry improve anti-interference characteristics and increased system compatibility, making it ideal for a wide variety of professional venues and applications.

Shure URI-M Micro Bodypack: Weighing only 2.2 oz without batteries, the new UR1M Transmitter is the most compact bodypack available from Shure. Operating on the premium Shure UHF-R Wireless platform, the UR1M offers superior wireless audio and an industry-leading tuning range–all in a durable, ultra-compact and lightweight form factor.

Sony DWL Series Digital Wireless: Sony's Digital Wireless System, comprised of the DWT-B01 bodypack transmitter and DWR-S01D digital wireless receiver, delivers 24-bit/48kHz quality, and offers low-latency and secure and highly stable operation. A digital modulator enables an inter-modulation-free, equally spaced channel allocation for large-scale multichannel operations. The system's technology provides up to 50 percent more simultaneous wireless channels.

SOUND REINFORCEMENT LOUDSPEAKER TECHNOLOGY

Community Entasys Column Line Array: This three-way full-range column line array offers high output and high power-handling capability, with multiple low-frequency, midrange and high-frequency drivers. The system delivers a uniform vertical beam width from 800 Hz to 16 kHz. Each full-range column includes six low-frequency neodymium drivers, eighteen 2.35-inch midrange drivers and six 7-inch-long x 1-inch-wide planar-coupled Compact Ribbon Emulator (CRE) high-frequency elements.

EAW MicroWedge: The MicroWedge MW15 stage monitor was developed by Rat Sound. Its coaxial driver pairs a 15-inch woofer with a 3-inch diaphragm compression driver on a 90-degree horn in a low-profile footprint. Features include switchable active or passive modes, and a large port that houses the input connectors, protecting them from damage.

JBL EON 500 Series: Representing the next generation of its groundbreaking industry-standard EON® portable loudspeakers, JBL introduces the EON500 Series. Featuring three models, the EON500 series delivers more power, portability and versatility than any other speaker in its class, raising the bar dramatically for advanced powered loudspeaker systems.

Meyer Sound Labs UPQ-1P: The UPQ-1P wide coverage loudspeaker has an exceptional size-to-power ratio—its extended low-frequency headroom gives it a smooth sound over its wide operating frequency range of 55 Hz to 18 kHz. With its easy-to-use and versatile QuickFly rigging, the UPQ-1P is equally suited to touring, rental and fixed installation applications.

Renkus-Heinz IC Live: IC LIVE comprises a fully portable digitally steerable array loudspeaker with five neodymium 6.5-inch LF cone drivers and three neodymium compression drivers, each driven by an individual integrated DSP/amplifier channel, and the matching IC215S-R Sub. Control is via RHAON (Renkus-Heinz Audio Operations Network) over a single Ethernet cable via CobraNet, with AES/EBU and analog inputs.

Tannoy VQ Range: Tannoy’s VQ Series is a range of revolutionary loudspeakers designed for any application where precise directional control, outstanding sonic performance and high SPLs are critical issues; such as large corporate AV systems, stadiums, large dance clubs, live concert halls, theatres, houses of worship and open-air venues.

STUDIO MONITOR TECHNOLOGY

ADAM Audio A5: ADAM's A5 powered monitors are folded-ribbon tweeters and 5-inch carbon-fiber and Rohacell® sandwich woofers, powered by dual 25-watt onboard amplifiers. The front panel features twin ports that extend LF response to 55 Hz, power/gain controls and metal grilles. Inputs are RCA and balanced XLRs, plus a Stereolink® that lets users control system volume from any single speaker's gain control.

Event Opal: The Event Opal is a revolution in studio monitoring. With a “no compromise” design brief, this two-way nearfield monitor provides the performance of a three-way system without the need for an additional driver. The Opal incorporates several unique design features to offer the most accurate, lowest-distortion audio monitoring system available.

Focal CMS65: The CMS line is the latest arrival in the Focal Professional range, and is particularly dedicated to post-production studios, small listening rooms, radio studios and home studios. The CMS 65 integrates many Focal hallmarks, such as the aluminum/magnesium inverted dome tweeter, the Polyglass cone woofer, as well as neutrality, dynamics, detail and soundstage precision.

Genelec 6010/5040 Desktop Audio System : The new Genelec 6010/5040 Desktop Audio System is an extremely compact three-way active sub/satellite loudspeaker system designed for computer sound systems and other close-proximity listening applications. Excellent directivity characteristics, rugged construction and accurate imaging, together with compact size and flexible mounting options, make the 6010A/5040A the perfect combination for the professional as well as non-professional user.

JBL LSR2300: JBL LSR2300 Series studio monitors deliver professional performance at prices within reach of any studio. JBL’s LSR Linear Spatial Reference design produces superior imaging and ensures neutral response at the mix position in a broad range of environments. All models provide high output and extended low-frequency response for today's production requirements.

M-Audio DSM2: The M-Audio® Studiophile® DSM2 monitor makes premium reference technology accessible to a broad array of studio environments. Co-developed by Digidesign, the DSM2 reflects M-Audio’s extensive background in world-class monitor acoustics, transducer technology and amplification. DSM2 features DSP-based EQ for stunning accuracy, plus versatile analog and digital inputs.

MUSICAL INSTRUMENT TECHNOLOGY

Arturia Origin Synth: Origin is a modular system of a new generation, opening innovative avenues in sound design. Loaded with modules extracted from the best synthesizers of all time (Moog Modular, ARP 2600,Yamaha CS-80, Moog Minimoog and Sequential Circuits Prophet 5 and VS) and from new modules created by Arturia, Origin lets you combine these elements for a new type of sound.

Dave Smith Instruments Mopho: Mopho is a programmable monophonic analog synthesizer and signal processor remarkable for its compact size, deep feature set, and affordable price. Based on the award-winning Prophet ’08, Mopho adds two sub-octave generators for extra punch and a hardwired feedback circuit for effects ranging from subtle distortion to full-on harmonic meltdown.

Moog Music The Moog Guitar: The Moog Guitar offers five playing modes: Full Sustain Mode, Controlled Sustain (sustains individual notes), Mute Mode (mutes the strings for staccato effect), Harmonic Blend (pulls subtle harmonics directly from the strings) and Normal Guitar mode (turns off all the Moog Electronics). Moog's ladder filter can be switched on and the built-in piezos can be blended in for an acoustic tone.

Nord Electro-3 73 Stage Piano/Organ: The Electro 3 features stunningly faithful models of classic organs and exquisite pianos complete with a multitude of velocity layers and pedal-down samples, in addition to a new effects section, the Nord Sample Library and enhanced rotary speaker emulation. The Electro 3 sets the new standard in performance keyboards.

Spectrasonics Omnisphere: Omnisphere® is Spectrasonics’ flagship virtual instrument. With extraordinary power and versatility, it brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration. Powered by the Spectrasonics STEAM engine technology, Omnisphere offers users a powerful combination of capabilities: synthesis, composition, sound design, production and live performance.

TC Electronic RH450 Bass Amp: The multi-award-winning RH450 with TC’s Active Power Management™ effectively behaves like a tube amp with 450 watts of power (800W peak). RH450 provides traditional tone controls, TubeTone™ to emulate all of the characteristics of a traditional tube circuit, SpectraComp™ “per-string” compression, user presets, rehearsal input for iPod and an integrated tuner.

SIGNAL PROCESSING TECHNOLOGY/HARDWARE

 Chameleon Labs 7802 Opto-Tube Compressor: The 7802 is a hybrid design of tube and transformer circuitry with modern components. The silky attack is achieved via electro-optical circuitry, followed by a robust tube makeup gain stage, then transformer-balanced outputs. This 2-channel compressor can operate in dual-mono or stereo-linked mode, and features a tube overdrive control, selectable (2:1 or 4:1) compression and a control-path highpass filter for each channel.

Eventide PitchFactor Harmonizer: PitchFactor features Eventide’s ten best pitch+delay effects without compromising quality or flexibility. Now for the first time, these effects are portable and affordable. Stompbox-simple, PitchFactor fits on your pedal or in your gigbag. Effects include Diatonic, Quadravox™, HarModulator™, MicroPitch, PitchFlex™, Octaver™, Crystals™, HarPeggiator™ and Synthronizer™.

JDK Audio R24 Dual Channel Equalizer: This dual-channel, 4-band equalizer is modeled after the classic APSI model 562 EQ, and features two identical channels of equalization in a rack-mounted unit with internal power supply. EQ in and out are controlled by classic toggle switches, with gain and frequency selection accessed using individual control knobs.

SSL XLogic E Series X-Rack Modules: The E Series X-Rack modules are two new modules for the X-Rack/Mynx SuperAnalogue™ modular mixing and processing system. The EQ Module reproduces the sonic signature of the SSL 4000 E Series console channel EQ, while the Dynamics Module delivers all the punch and functionality of original SSL 4000 console VCA channel dynamics.

TC Electronic Power Core 6000: PowerCore 6000 brings the same award-winning System 6000 algorithms used by high-end mastering studios and Oscar-winning sound designers to your DAW. Includes world-renowned classic reverb, vintage emulations and source-based reverb, full access to MD3 multiband dynamics for no-compromise mastering, precision brickwall limiting and unsurpassed stereo-to-5.1 conversions.

Universal Audio UAD-2 Quad: The UAD-2 QUAD is the ultimate sonic upgrade for your DAW, bringing UA’s revolutionary combination of DSP hardware and highly-prized UAD Powered Plug-Ins within the reach of project and pro studios alike. The UAD-2 QUAD provides a level of DSP power and complexity not found with host-based plug-ins.

SIGNAL PROCESSING TECHNOLOGY/SOFTWARE

Antares Audio Technologies Auto-Tune Evo: A dramatic evolution of the worldwide standard in professional pitch correction, Auto-Tune Evo features Antares’ new Evo™ Voice Processing Technology for even faster and more accurate pitch detection and correction, pitch shifting with formant correction and throat modeling, powerful new graphic correction modes and a host of workflow enhancements. 

iZotope Ozone Mastering Suite: iZotope’s Ozone 4 mastering suite combines seven great-sounding, essential mastering processors into one complete system to deliver a finished, full and professional sound to any mix or track. Ozone includes the IRC™ Loudness Maximizer, a Paragraphic EQ, Innovative Multiband Dynamics, Harmonic Exciter, Mastering Reverb and Stereo Imaging tools.

McDSP Retro Pack: The Retro Pack plug-in bundle includes the 4020 EQ, 4030 Compressor and 4040 Limiter, all designed for the ultimate vintage vibe, using new and original designs based in McDSP’s decade of industry experience. Retro Pack plug-ins are a line of “classics” that can live up to their own name without emulating something else.

TC Electronic LM5D for Pro Tools/HD: LM5D measures the BS.1770 real-time peak loudness and loudness history across multiple formats, displaying the results in Loudness Units, PPM and TC’s patented “Radar” histogram. The numerical result allows the user to easily and confidently meet the delivery specifications of the target media whether film, radio or television.

Universal Audio Moog Multimode Filter: Universal Audio’s Moog Multimode Filter plug-in delivers the first truly analog-sounding VCF emulation made for mixing, performing, creating or destroying. The Moog Multimode Filter is a “digital-only” tabletop filter set that combines the best of Bob Moog’s classic designs with select features from his final Voyager instrument.

Waves Tony Maserati Collection: The Tony Maserati Collection, the first release in Waves’ Signature Series, consists of six application-specific plug-ins, created in collaboration with multi-Platinum mixing engineer Tony Maserati. Each plug-in (for vocals, bass, drums, electric guitar, acoustic guitar, and keyboards) delivers Tony’s signature sound, using custom processing chains designed by the artist himself

WORKSTATION TECHNOLOGY

Avid Digidesign Pro Tools 8: Pro Tools Version 8 has been completely updated with a new user interface, dozens of new bundled plug-ins, fully-integrated MIDI and score editors and expanded editing features. The interface offers a more modern-looking color palette and higher-contrast text and graphics, yet the key functions that users rely on are still right where they should be, while enhancements provide easier navigation.

Bias Peak Pro XT6: The most comprehensive stereo audio production and mastering suite available on the Mac. Includes Peak Pro 6 — the industry-standard Mac application for stereo audio editing, processing and mastering — plus our acclaimed restoration plug-ins, SoundSoap and SoundSoap Pro, and the Master Perfection Suite for mastering and sound design. 

Cakewalk SONAR V-Studio 700: Cakewalk’s SONAR V-Studio 700 offers musician the most tightly-integrated, fine-tuned system of software and hardware available. This groundbreaking music production system matches SONAR 8 Producer with the VS-700C V-Studio Console multifunction control surface and VS-700R V-Studio I/O audio interface, which includes an onboard Roland Fantom VS Hardware synthesizer.

MOTU Digital Performer 6: Digital Performer Version 6 adds many new features, including the highly CPU-efficient ProVerb™ convolution reverb plug-in; the MasterWorks Leveler, modeled after the legendary LA-2A optical leveling amplifier; XML file interchange with Final Cut Pro; more industry-leading film scoring enhancements; track comping; and support for interleaved Broadcast WAVE audio files.

Steinberg Cubase 5: Cubase 5 adds even more creative possibilities and new technologies: VariAudio and PitchCorrect provide integrated intonation editing for monophonic vocal recordings. Groove Agent ONE and Beat Designer change the game for beat creation, while the revolutionary LoopMash seamlessly blends loops. VST Expression tools for composers combine with the first VST3 convolution reverb and improved automation. Additional enhancements and 64-bit technologies boost performance.

Studio Network Solutions Ellipse/Enterprise Fibre Channel HBA: Ellipse is engineered, tested and optimized for the most throughput-intensive video and audio applications. It offers the ability to effortlessly handle uncompressed HD and up to 4K resolution. Whether you're upgrading, adding more workstations or installing a new SAN, the Ellipse HBA delivers the performance you demand, at a low price.

SOUND REINFORCEMENT CONSOLE TECHNOLOGY

Avid Digidesign VENUE Mix Rack System: The VENUE Mix Rack System is an affordable, state-of-the-art live sound production environment for small-to-mid size venues, tours and installations. The system combines all stage, local audio I/O and DSP processing into a single 11-space rack to deliver studio-grade sound, unprecedented reliability, powerful performance and complete ease of use.

DiGiCo SD8: The SD8 is the first entry-level console to harness the power of Stealth Digital Processing™, offering up to 60 stereo inputs, 24 buses (stereo or mono) plus two solo buses and master, parametric EQ, dynamics on all inputs and outputs, 12 graphic EQs, six stereo effects and a 12x12 matrix.

Midas PRO6: The Midas PRO6 Live Digital Audio System offers class-leading synchronized audio performance in a compact package. Providing up to 80 simultaneous input processing channels and up to 32 (+3) discrete mixes, all featuring EQ and multiple dynamics processing options, the PRO6's network can be expanded up to 264 inputs and 264 outputs.

Roland RSS M-400 V-Mixer V2.0: This update includes numerous features added in response to user feedback. These features include control of multiple M-48 Personal Mixers, support for LCR, vintage Roland effects, expanded PEQ and real-time analyzer. The M-400 console is one of the four components of the V-Mixing System, which also includes digital snakes, personal mixers and live recording.

Soundcraft Si3: The Soundcraft Si3 is designed as a one-box drop-in solution for live use on both touring sound systems and fixed installations. Its intuitive operation, high-visibility OLED screens, and high input and bus count also make it a perfect choice for house-of-worship and theater sound systems.

Yamaha IM8: The Yamaha IM8 analog console is available in 24, 32 or 40-channels, all with four additional stereo inputs. The console includes 8 groups, 8 aux, stereo, mono outputs with an 11x4 matrix, 4 mute groups, a one-knob compressor with an LED indicator, 2-channel USB recording capabilities, and Steinberg Cubase AI software.

SMALL FORMAT CONSOLE TECHNOLOGY

Allen & Heath ZED R16: The Allen & Heath ZED-R16 combines an analog mixer with an 18-channel FireWire sound card, MIDI controls and ingenious “home-studio” routing for recording multichannel sessions and live gigs while offering mixing down through warm analog circuitry utilizing Allen & Heath’s per-channel 4-band fully parametric classic British EQ.

Euphonix MC Control: MC Control brings the unparalleled speed, resolution and DAW integration of Euphonix’ professional consoles to the personal studio, in a revolutionary ergonomic, slim-line design. Loaded with power features including a customizable high-resolution touch-screen interface, jog/shuttle wheel and motorized faders, the MC Control speeds up and enhances creativity with any media application.

PreSonus StudioLive 16.4.2: Designed for recording and live sound, the StudioLive 16.4.2 16x4x2 console features ultra-quiet audio, scene automation, a low-latency FireWire interface, dynamics processing and EQ on every channel and bus, and 2-click recording with integrated PreSonus Capture software. JetPLL clocking results in extremely low jitter. You can cascade multiple consoles.

Roland M-48 Personal Mixer: For stage mixes, the M-48 offers control over 40 audio sources, managed in 16 assignable stereo groups. The playing experience is enhanced with level/pan/solo/3-band EQ on each group, reverb, an ambient mic for better communication with band members, and I/Os for headphones, wedges and powered monitors, interfacing with iPods, metronomes and external recording devices.

Smart AV Tango: Tango DAW controllers come in 8, 20 or 32-fader units to suit workflows between Logic, Nuendo, Cubase, Pyramix, Pro Tools and Final Cut Pro. Each channel strip has a Hold button, motorized fader, Inject and Solo touch-points, mute and a touch-sensitive encoder/switch. 16 soft controllers are tied to screen graphics and conform to the task at hand, as do the active controls. A user-definable touchscreen adds more control.

SSL Matrix: Matrix is an SSL signature SuperAnalogue™ 16-channel, 40-input line-level mixing console with integrated signal router and multi-layer DAW control. The console employs a browser interface, allowing Ethernet MIDI connectivity to a Mac or PC. The Matrix features 16 mono line channels with two separate inputs and a 32x16x16 insert router for up to 16 external processing devices.

LARGE FORMAT CONSOLE TECHNOLOGY

AMS Neve Genesys: Hand-built in the UK using genuine Neve preamp circuitry, Genesys combines the classic Neve sound with hands-on DAW control for Pro Tools, Logic etc, plus 5.1 monitoring. Modular and expandable, its basic 16-fader configuration (with 32-channel analog summing at mixdown) puts Neve console quality within reach of every studio.

Euphonix System 5-MC version 1.4: The System 5-MC is ideal for workstation-centric music and audio post-production clients desiring a cost-effective, professional workstation surface with the tactile control and visual feedback of a high-end mixing console. Its control surface includes 8-48 channel strips and the MC pro for master console functions and network control of any DAW application.

Lawo mc256 : The compact mc256 offers full mc² power at a small footprint with the complete mc² functionality–including dynamic automation, snapshot transfer and networking within the family. The innovative surface ,with an intelligent mix of controls and touchscreen operation, provides excellent usability by direct access to essential operating elements; rarely used functions are handled via screen.

Oram Professional Audio Oram X-Dream: The redesigned T-Dream Series console range is now the X-Dream (Extreme!) and features new electronics with a Sonicomp compressor limiter on every channel, dual-function mic pre with colored and uncolored response, extended EQ bands and more, with amazing sonics retaining what John Oram is famous for.

SSL AWS 900+ SE: SSL AWS 900+ SE is SSL’s latest hybrid analog/digital control console. A new Ethernet interface connects the DAW to the console controller, and a new “Logicivity Browser” provides seamless project management tools. Other features include Autocue functionality, calibrated monitoring levels, Solo Isolate and the ability to control two DAWS simultaneously.

Tree Audio 500: As a result of the explosion of 500 Series modules, Tree Audio developed the world's first fully customizable "500 Series" recording console. Allowing an endless combination of flavors, three tiers of 500 Series slots can be used for any 500 Series modules. With all discrete channels, using the Inward Connections SPA690 amp block.